| Writer, maker and general troubleshooter based in Tokyo. stuart@stuartmunro.net 東京拠点のライター、芸術祭・ギャラリー・アーティストと共に活動 • アートプロジェクトコーディネーター、海外アーティスト担当 https://artstriennale.city.chiba.jp •「Raw cuts」2024 日本語 | ![]() |
| 2025 |
| Red dots | Comi-Comi 18 | Aug 10 | |
| ‘Dancing with All’ Is More Tussle Than Dance | Review | Frieze 251 | May |
| Drawing breath | Comi-Comi 17 | Jan 1 |
| 2024 |
| Active reader | Comi-Comi 16 | Dec 31 | |
| Slow reader | Comi-Comi 15 | Dec 30 | |
| Raw cuts | Essay | for Stuart Munro ‘Raw Cuts’ at ALTERNATIVE SPACE The White | Dec 3 |
| Drawing breath | Essay | for Gabriel Hartley ‘Floorlines’ at Seventeen Gallery | Nov 14 |
| Eiko Tomura | Interview | The Art Newspaper. Art Week Tokyo Special Focus edition | Nov |
| Park Lives | Comi-Comi 14 | Sept 22 | |
| Moving Images | Essay | in BORDERSCAPE: Research, Representation and Spatiality in the Borders (Części Proste) | Sept 14 |
| Blood, sweat, and tears: The art of extreme wrestling | Essay | Comi-Comi 13 | Aug 12 |
| Motoyuki Daifu | Interview | apartamento. Issue 33 | May 13 |
| Strange communication | Podcast | Sound-Sound 2 | May 4 |
| Shibuya is a Hot Mess | Podcast | Sound-Sound 1 | Apr 20 |
| Force Fields: The charged paintings of Nobuya Hitsuda | Comi-Comi 12 | Jan 21 |
| 2023 |
| Soon it would be too hot | Comi-Comi 11 | Oct 25 | |
| Gabriel Hartley, Reina Sugihara, Stuart Munro | Talk | at Hagiwara Projects | Sept 23 |
| Art Week Tokyo 2023 | Preview | Art Basel | Sept 16 |
| Tokyo: Charles Munka at INS Studio, Tokyo | Review | Art Asia Pacific 135 | Sept-Oct |
| Deserted Echo | a spoken word piece for “Radio Desertion”, at ZETA Contemporary Art Center, Tirana, Albania. | July 4–Sept 11 | |
| Restoration Project | Catalogue | Charles Munka ‘Tameshigaki’ (INS Studio) | June |
| Sanya Kantarovsky ‘After birth’ at Taka Ishii Gallery Kyoto | Review | Art Basel | April 28 |
| Return Journey | Essay | The World of Interiors | April 19 |
| Outside Broadcast | Comi-Comi 10 | Feb 22 | |
| Leaving Uwajima, heading home | Podcast | Comi-Comi 09 | Jan 29 |
| On Site: Shinro Ohtake at National Museum of Modern Art, Tokyo | Review | The Wire 468 | Jan-Feb |
| 2022 |
| Leaving Uwajima Station: In the studio with Shinro Ohtake | Profile | Art Basel | Oct 28 |
| Still Alive | Review | Contemporary Hum | Oct 18 |
| Rirkrit Tiravanija brings the 2022 Okayama Art Summit back to earth | Preview | Art Basel | Sept 27 |
| Ute Müller, Christoph Meier ‘The Far Side’ | Curation | Komagome SOKO | Sept 14–25 |
| Real Things from a Dream | Book | Study of Americana: Washington, D.C. Region 1978 (Tokyo, Osiris) | 2022 |
| Horizontal, Vertical, Cemetery & Sky | Comi-Comi 08 | Jan 25 |
| 2021 |
| Daggers thrown at Stars | Comi-Comi 07 | Nov 26 | |
| Clear Intention: Art Collaboration Kyoto | Review | Art Asia Pacific | Nov 25 |
| A Shot in the Dark: Whole Earth Catalog and Earthshot | Review | ArtReview * | Oct |
| Celestial Nobodies | Review | ARTnews | Oct 1 |
| Members of the World Show | Comi-Comi 06 | Sept 06 | |
| Zone Tripper | Comi-Comi 05 | July 22 | |
| On Location: Friction at Club Citta, Kawasaki, Japan | Review | The Wire 450 | Aug |
| Wish you were here | Comi-Comi 04 | May 26 | |
| Modern Lovers | Short fiction | Œ Case Files, Vol. 01 (Punctum Books) | May 13 |
| Nerves and New Skin | Comi-Comi 03 | Apr 26 | |
| Positive entropy | Comi-Comi 02 | Apr 8 | |
| Burn it down, build it up | Comi-Comi 01 | Mar 29 | |
| Hiroko Komatsu: Lost in this Town | DTWT | Jan 24 |
| 2020 |
| What is Like the Present | DTWT | Dec 18 | |
| Copyright Liberation Front | DTWT | Oct 27 | |
| Noriyuki Haraguchi – Swallowing Paper Planes | DTWT | Aug 5 | |
| Kōji Enokura’s watercolours | DTWT | July 18 |
| 2019 |
| Misako & Rosen | Interview | People Make Places | Dec |
| Okayama Art Summit 2019: IF THE SNAKE | Review | ArtReview Asia | Nov |
| Radical things | Essay | apartamento | May 16 |
| Perrotin Yearbook #28 | Catalogue | Apr | |
| Moving Billboard | Review | DTWT | Mar 18 |
| Nathan Hylden, For Now and So | Catalogue | Hakgojae gallery, Seoul | Feb |
| 2018 |
| Pieter Vermeersch | Catalogue | Perrotin Tokyo | July 11 |
| Münster Sculpture Project, Sagamihara | DTWT | Sept 9 | |
| Nathan Hylden: For Now and So at MISAKO & ROSEN | Review | Mousse magazine | June 20 |
| 2017 |
| Aquarium of the Eye w/Osamu Kanemura | Talk | at POST Ebisu | Dec 20 |
| As Salaam Mosque, Okachimachi | Feature | Brownbook 64 | July/Aug |
| Chai Siris: Unimagined Communities at Komagome Soko | Review | DTWT | |
| Mdrn Lvrs | Short fiction | Organs Everywhere 5 | Oct |
| Tsushima Art Fantasia | Photo report | Art Asia Pacific | Oct 2 |
| Hikaru Suzuki, Reiji Saito: Video Screening at KAYOKOYUKI, | Review | DTWT | Sept 1 |
| Toshio Matsumoto: Everything Visible is Empty at The Empty Gallery | Review | Mousse magazine | Nov 1 |
| Shimon Minamikawa: A Language All Your Own at MISAKO & ROSEN | Review | Art Asia Pacific | Oct |
| Dorothea Rockburne, Kwon Young-woo, Rakuko Naito: Systemic Paper at Blum & Poe Tokyo | Review | Mousse magazine | June |
| Ei Arakawa: Tryst at Taka Ishii Gallery | Review | Art Asia Pacific 103 | May/June |
| 2016 |
| Kishio Suga: Ways to investigate an unknown thing | Profile | Mousse magazine 55 | Oct |
| Reiji Saito, Hyslom, & Masaya Chiba in Kyoto | Report | DTWT | Apr 9 |
| Ryudai Takano: When the absence of light touches the ground, distance is lost and distance created at Yumiko Chiba Associates | Review | Art Asia Pacific | Dec |
| Otani Workshop: When I Was Seventeen, I Learned About Giacometti From My Art Teacher and Became Drawn to Sculpture—and So I Make Sculptures Now at Kaikai Kiki Gallery | Review | Art Asia Pacific | Dec |
| Makoto Aida: Let us dream of evanescence at Mizuma Art Gallery | Review | Art Asia Pacific 101 | Nov/Dec |
| Osamu Kanemura: Buddha Virus Suicide Attack at The White | Review | Art Asia Pacific 99 | July/Aug |
| Robert Morris & Kishio Suga at Blum & Poe Tokyo | Review | e-flux Criticism (art-agenda) | May 4 |
| Leo Pellegatta: The Sound and Vision of Migration at Kanzan Gallery | Review | Tokyo Art Beat | Mar 12 |
| Matt Saunders: Two Worlds at Blum & Poe Tokyo | Review | Art Asia Pacific | Mar |
| Don’t Follow the Wind – Non-Visitor Center at Watarium | Review | OCULA | Jan 6 |
| Re: play 1972/2015: Restaging Expression in Film ‘72 at MOMAT | Review | OCULA | Jan 6 |
| 2015 |
| Ryutaro Takahashi, a Mind for Collecting | Profile | Sotheby’s Magazine | Sept/Aug |
| Daito Manabe & Mikiko Mizuno | Interview | Good Magazine | Summer |
| Will Rogan: Clocks and other problems at MISAKO & ROSEN | Art Asia Pacific | Nov | |
| Omer Fast: 5000 Feet is the Best / Her Face Was Covered | DTWT | Oct 30 | |
| Obituary: Takuma Nakahira (1938–2015) | Azito | Oct 5 | |
| Three Museum Exhibitions | OCULA | Sept 16 | |
| Andrew Kerr: The gallery is beside a church, apartments and a small park with fountain at Rat Hole Gallery | e-flux Criticism (art-agenda) | Sept 3 | |
| Stephen G. Rhodes: The Twelf Hobby: Lober xxbbyj, Religious Freedom Sex Magick at MISAKO & ROSEN | Art Asia Pacific | June | |
| Mori Art Museum reopens with exhibition Simple Forms | Azito | Apr 25 | |
| Yoshihiko Ueda: A Life with Camera at Gallery 916 | The Japan Times | Apr 21 | |
| Comedie concrète at MISAKO & ROSEN | Art Asia Pacific | Apr |
| 2014 |
| Crash-landing in Tokyo: Osamu Kanemura’s Photographic Love Song | Profile | Elephant Magazine | Sept |
| The Family is a Pubis: Motoyuki Daifu and Tokyo | Profile | Elephant Magazine | Sept |
| Ken Kagami: How Kakkoii Are You? | Profile | Elephant Magazine | Sept |
| Border town: Go Itami’s Tokyo | Profile | Elephant Magazine | Sept |
| Throwing caution to the wind | DTWT | Dec 8 | |
| Sanomagic | DTWT | July 24 | |
| J!ns Meme: How do you feel? | Report | Rhizomatiks | May |
| Mikiko Hara: These Are Days | Art Asia Pacific | Dec | |
| Dave Muller: Sublime Memory Garden at Blum & Poe Tokyo | Art Asia Pacific | Nov | |
| Photographs by Five at Zeit-Foto Salon | The Japan Times | Oct 23 | |
| Daisuke Yokota, Kazuo Yoshida: Expanded Retina 2 at G/P gallery SHINONOME | The Japan Times | Aug 21 | |
| Sapporo International Art Festival | Kaleidoscope | Aug | |
| Transmission (Naoya Hatakeyama + Shuji Akagi) at Studio 35 Minutes | Kaleidoscope | Aug | |
| Lee Ufan at Kaikai Kiki Gallery | Kaleidoscope | Aug | |
| The Way of Painting at Tokyo Opera City Gallery | DTWT | Aug | |
| Nao Tsuda: On the Mountain Path at Gallery 916 | The Japan Times | Jul 17 | |
| Jellyfish Eyes at The Smithsonian | Kaleidoscope | May | |
| Tsubaki-kai 2014 at Shiseido Gallery | The Japan Times | May 7 | |
| Roppongi Art Nite 2014 | The Japan Times | Apr 17 | |
| Gozo: Shoko Hashimoto at Zeit-Foto Salon | The Japan Times | Mar 19 | |
| Ken Kagami, Bronze Works 2012-13 at MISAKO & ROSEN | Kaleidoscope | Mar | |
| Whispering Gallery: SANAA at Towada Art Center | Domus | Feb | |
| Private Utopia: Contemporary Art from the British Council Collection at Tokyo Station Gallery | The Japan Times | Feb 13 |
| 2013 |
| Well dressed yet clinically dead | Essay | Design Ecologies Journal 2:2 (Co-edited) | July |
| Daisuke Yokota: There Will Be Blood | Tokyo Art Beat | Mar 3 | |
| The Island Over There: How Culture Travels in Japanese Contemporary Art | Essay | Broadsheet 42.2 | Dec |
| The Architecture of Theatre | DTWT | Apr 7 | |
| The Green Prince | Short fiction | Snetha-noir | Dec |
| Portrait, Kazumi Kurigami at Gallery 916 | The Japan Times | Nov 13 | |
| Luke Fowler & Toshiya Tsunoda: LEADER AS GUTTER at Taka Ishii Gallery | Tokyo Art Beat | Oct 8 | |
| SURVIVE! at Towada Art Center | The Japan Times | Oct 2 | |
| Kozo Miyoshi: 1972~ at Gallery 916 | The Japan Times | Sept 11 | |
| Shuji Terayama: Knock at The Watarium | The Japan Times | Sept 6 | |
| Five British Artists at 8/ ART GALLERY | The Japan Times | Aug 21 | |
| Kazuhiko Hachiya: OpenSky 3.0 at 3331 Arts Chiyoda | The Japan Times | Aug 7 | |
| Unconsciousness of the City at MOMAT | The Japan Times | Jul 10 | |
| Gregor Schneider at TOLOT/heuristic SHINONOME | The Japan Times | Jul 10 | |
| Sophie Calle at Hara Museum of Contemporary Art | The Japan Times | June 20 | |
| Daido Moriyama: 1965~ at Gallery 916 | The Japan Times | June 13 | |
| Zevs: Heaven at The Container | The Japan Times | June 6 | |
| JR at the Watarium | The Japan Times | Apr 4 | |
| Roppongi Art Night 2013 | The Japan Times | Mar 21 | |
| Design Ah at 21_21 DESIGN SIGHT | The Japan Times | Mar 14 | |
| Beatriz Inglessis: On Mosquitoes, Humans, and Other Animals at The Container | The Japan Times | Feb 7 | |
| Japanese Junction 3 at Hagiso | The Japan Times | Jan 3 |
| 2012 |
| Above the Ground, Beneath the Surface | Book | Art Design Publishing (Co-edited) | Oct |
| Taiji Matsue: Surficial Survey at Izu Photo Museum | The Japan Times | Dec 6 | |
| The People by Kishin at Tokyo Opera City Gallery | The Japan Times | Dec 6 | |
| Ikko Tanaka and Future/Past/East/West of Design at 21_21 DESIGN SIGHT | The Japan Times | Nov 29 | |
| Alejandro Chaskielberg at Gallery 916 | The Japan Times | Nov 1 | |
| Waiting for the first trian at Tokyo Station Gallery | The Japan Times | Oct 11 | |
| Hideki Nakazawa: Systems and Methods in Hidden Functions at The Container | The Japan Times | Sept 20 | |
| Masayoshi Sukita at Tokyo Museum of Photography | The Japan Times | Sept 6 | |
| Hideki Nakajima at Daiwa Press Viewing Room | The Japan Times | Aug 23 |
| 2011 |
| Dreaming Tongues | Essay | Design Ecologies Journal 1:1 (Co-edited) | Feb |

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3-27-4 Taito, Taito-ku, Tokyo 東京都台東区台東3-27-4
