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| As Salaam Mosque, Okachimachi |
| Architecture / Brownbook / |
| 2017 |
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| Unimagined Communities |
| Chai Siris / Komagome Soko / SCAI The Bathhouse / |
| 2017 |
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| Systemic Paper |
| Blum & Poe / Dorothea Rockburne / Kwon Young-woo / Mousse / Rakuko Naito / |
| 2017 |
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| Tryst |
| ArtAsiaPacific / Ei Arakawa / Taka Ishii Gallery / |
| 2017 |
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| Ryudai Takano: When the absence of light touches the ground, distance is lost and distance created |
| ArtAsiaPacific / Ryudai Takano / Yumiko Chiba Associates / |
| 2016 |
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| When I Was Seventeen, I Learned About Giacometti From My Art Teacher and Became Drawn to Sculpture—and So I Make Sculptures Now |
| ArtAsiaPacific / Kaikai Kiki / Otani Workshop / |
| 2016 |
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| Let us dream of evanescence |
| ArtAsiaPacific / Makoto Aida / Mizuma Art Gallery / |
| 2016 |
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| Ways to investigate an unknown thing |
| Kishio Suga / Mousse / |
| 2016 |
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| Osamu Kanemura: Buddha Virus Suicide Attack |
| ArtAsiaPacific / Osamu Kanemura / The White / |
| 2016 |
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| Robert Morris & Kishio Suga |
| art-agenda / Blum & Poe / Kishio Suga / Robert Morris / |
| 2016 |
 |
| Reiji Saito, Hyslom, Masaya Chiba in Kyoto |
| Hyslom / Masaya Chiba / Reiji Saito / |
| 2016 |
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| The Sound and Vision of Migration |
| Kanzan Gallery / Leo Pellegatta / Tokyo Art Beat / |
| 2016 |
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| Two Worlds |
| ArtAsiaPacific / Blum & Poe / Matt Saunders / |
| 2016 |
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| Local fantasy, 2015 |
| Round-up / |
| 2015 |
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| Clocks and other problems |
| ArtAsiaPacific / Misako & Rosen / Will Rogan / |
| 2015 |
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| Omer Fast, ‘5000 Feet is the Best / Her Face Was Covered’ (2011) |
| Film / Moving fantasy / Omer fast / Taro Nasu Gallery / |
| 2015 |
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| Takuma Nakahira (1938–2015) |
| Azito / Osiris / Takuma Nakahira / |
| 2015 |
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| Three Museum Exhibitions |
| Artist File 2015 / Dinh Q. Lê / MOMAT / Mori Museum / National Art Center / OCULA / Takuma Nakahira / |
| 2015 |
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| Andrew Kerr: The gallery is beside a church, apartments and a small park with fountain |
| Andrew Kerr / art-agenda / Rat Hole Gallery / |
| 2015 |
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| The Twelf Hobby: Lober xxbbyj, Religious Freedom Sex Magick |
| ArtAsiaPacific / Misako & Rosen / Stephen G. Rhodes / |
| 2015 |
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| Yoshihiko Ueda: a life with photography |
| Gallery 916 / The Japan Times / Yoshihiko Ueda / |
| 2015 |
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| Comedie concrète |
| ArtAsiaPacific / COBRA / David Robbins / Ken Kagami / Misako & Rosen / Scott Reeder / Sean Landers / Trevor Shimizu / |
| 2015 |
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| These Are Days |
| ArtAsiaPacific / Mikiko Hara / Osiris / |
| 2014 |
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| Dave Muller: Sublime Memory Garden |
| ArtAsiaPacific / Blum & Poe / |
| 2014 |
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| What words alone cannot convey |
| The Japan Times / Zeit-Foto Salon / |
| 2014 |
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| Crash-landing in Tokyo: Osamu Kanemura’s Photographic Love Song |
| Elephant / Osamu Kanemura / Osiris / |
| 2014 |
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| The Family is a Pubis: Motoyuki Daifu and Tokyo |
| Elephant / Misako & Rosen / Motoyuki Daifu / |
| 2014 |
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| Ken Kagami: How Kakkoii Are You? |
| Elephant / Ken Kagami / Misako & Rosen / |
| 2014 |
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| Artists expand photography and film conventions to find a new language |
| g3 Gallery / The Japan Times / |
| 2014 |
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| Screenings |
| Hitoshi Toyoda / |
| 2014 |
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| Sapporo International Art Festival |
| Kaleidoscope / Sapporo IAF / |
| 2014 |
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| “Transmission” (Naoya Hatakeyama + Shuji Akagi) |
| Kaleidoscope / Studio 35 Minutes / |
| 2014 |
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| Lee Ufan at Kaikai Kiki Gallery |
| Kaikai Kiki / Kaleidoscope / |
| 2014 |
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| The Way of Painting at Tokyo Opera City Gallery |
| Daisuke Takahashi / Kazuyuki Takezaki / Masaya Chiba / Shimon Minamikawa / Shunsuke Imai / Tokyo Opera City Gallery / |
| 2014 |
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| Clean air will kill me |
| Osamu Kanemura / |
| 2014 |
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| Nao Tsuda takes you beyond the straight and narrow |
| Gallery 916 / The Japan Times / |
| 2014 |
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| Sanomagic |
| Sueshiro Sano / |
| 2014 |
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| Takashi Murakami, Jellyfish Eyes |
| Kaleidoscope / The Smithsonian / |
| 2014 |
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| Shiseido’s Tsubaki-kai questions the nature of art |
| Shiseido Gallery / The Japan Times / |
| 2014 |
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| For Goze, music was a life of servitude |
| The Japan Times / Zeit-Foto Salon / |
| 2014 |
 |
| Ken Kagami, Bronze Works 2012-13 |
| Kaleidoscope / Ken Kagami / Misako & Rosen / |
| 2014 |
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| Whispering Gallery |
| Domus / Towada Art Center / |
| 2014 |
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| Making sense of cultural nonsense |
| The Japan Times / Tokyo Station Gallery / |
| 2014 |
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| The Island Over There |
| Broadsheet / Mori Museum / |
| 2013 |
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| Portraits reveal much more than a person’s appearance |
| Gallery 916 / The Japan Times / |
| 2013 |
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| Filmic Diversions |
| Taka Ishii Gallery / Tokyo Art Beat / |
| 2013 |
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| The Towada Art Center expands its landscape |
| The Japan Times / Towada Art Center / |
| 2013 |
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| The tireless patience of a behavioral photographer |
| Gallery 916 / The Japan Times / |
| 2013 |
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| Shuji Terayama’s underground public stage |
| The Japan Times / Watarium / |
| 2013 |
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| Britain’s ‘YBA’ have moved on, but they still inspire |
| The Japan Times / Tomio Koyama Gallery / |
| 2013 |
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| Surveying the city from a different viewpoint |
| MOMAT / The Japan Times / |
| 2013 |
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| Gregor Schneider: temporary structures that resist conformity |
| The Japan Times / Wako Works of Art / |
| 2013 |
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| Well dressed yet clinically dead |
| Design Ecologies Journal / |
| 2013 |
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| Are we all blinded by our sense of beauty? |
| Hara Museum / The Japan Times / |
| 2013 |
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| Observing the present and past is to see into the future |
| Gallery 916 / The Japan Times / |
| 2013 |
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| The Architecture of Theatre |
| Architecture / |
| 2013 |
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| There Will Be Blood |
| G/P Gallery / Tokyo Art Beat / |
| 2013 |
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| In the details of our landscapes sits a panorama of mankind |
| Izu Photo Museum / The Japan Times / |
| 2012 |
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| Capturing life’s ebb and flow |
| Gallery 916 / The Japan Times / |
| 2012 |
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| Time to put Masayoshi Sukita in the limelight |
| Syabi / The Japan Times / |
| 2012 |
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| Art director Hideki Nakajima throws down the gauntlet of design |
| Daiwa Press Viewing Room / The Japan Times / |
| 2012 |
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| Dreaming Tongues |
| Design Ecologies Journal / |
| 2011 |